AI Copywriting: A Solution for Small Business

Maintaining an aggressive digital presence requires powerful and focused advertising copy. A business needs to provide a clear and consistent message on all its digital channels to advance in the marketplace. Finding and hiring an adequate copywriter can cost a small or micro-business owner substantial time and money—a combination that is finite and already in high demand.  

AI copywriting services may provide an answer. These programs can do things like writing ad copy, editing website content, and creating mail campaigns. Artificial Intelligence cannot take the writing task completely off a business owner’s plate, but it could help save energy and resources.  

How AI Copywriting is Changing the Marketing Landscape 

Good copywriting traditionally depended on the work of trained marketing experts. These specialists command salaries that are usually out-of-reach for the small and micro-business owner’s advertising budget. Luckily, AI is making small businesses more competitive by offering low-cost copy generation. A Smart Insights article notes that AI “writers” are currently sophisticated enough to avoid readers’ detection and boost conversion. Business owners can trust this proven level of AI competency when using copywriting software.  

Using AI-generated Templates 

Software like copy.aiarticoolo, Writesonic, and Copysmith can turn a vague idea into marketable copy. Even better, the absolute beginner can make use of these writing programs. Templates can take a user from developing a product description, to isolating keywords for search engine optimization, and onward to writing a listicle including a recommendation for that exact product. According to a Forbes article, the creative director for eBay even described one of these programs as being “to copywriting what Photoshop is to designers.” A more timely comparison might be to Canva –the accessible graphic design program that comes stocked with thousands of editable templates.  

As an example, I wrote the following description for an imaginary one-person consulting agency called Russo Results:  

I research and write articles to introduce small and micro-business owners to time and  money-saving technology that can make their marketing strategies more aggressive.  

-input into AI software

By filtering that poorly written sentence through template generators in three different programs, I was able to derive the following unique value proposition (written by AI but compiled from many templates by me):  

I’m a solo entrepreneur, so I know you have limited marketing resources.  

1. I’m a self-employed hairstylist and salon web marketing manager. I also run my  consulting service, Russo Results, to help small business owners save time and money  with proven marketing strategies.  

2. I’m a researcher, not a saleswoman. I work to give owners actionable advice based on  my analysis of their challenges and needs.  

3. I’m affordable. That’s right; my services won’t break the bank for your business’s  marketing budget.  

AI-generated copy

This proposition is far more potent than the vague description I provided. The AI synthesized my meaning and offered complete and confident copy that would be useable as written.  

What’s the Catch?  

Unfortunately, no single AI copywriter could take my idea from start to finish. Instead, I had to: 

  1. input my example sentence into copy.ai’s brand mission generator,  
  1. then put that brand mission into Writesonic’s keyword extractor,  
  1. then finally into Copysmith’s unique value proposition generator.  

The process only took about five minutes. Still, it required access to all three programs and the ability to filter between the many templates each process generated. These programs still need a small-business owner to have both the financial resources to subscribe in the first place plus the writing and marketing background to optimize their results. By selecting a weaker option at any level of content generation, we go from the copy shown above to this – much more anemic – output:  

I’m Hope Russo, call me at [XXX] XXX-XXXX.  

1. I offer affordable marketing strategies for small business owners.  

2. Whether you need a fresh marketing strategy or a marketing makeover, I look forward  to helping your business succeed!  

AI-generated Copy

The first unique value proposition illustrated confidence, skill, and an awareness of consumer pain points. By contrast, this copy is vague, unpolished, and dull. Successful composition still depends on human judgment, making the value of business investment into AI copywriting software dependent on the user’s competency.  

Emerging tech startups such as Joshua Wong’s Hypotenuse AI are already working to solve this problem. In an article with TechCrunch, Wong notes the failures of modern copywriting technology. Further, he suggests that his program utilizes the newest machine-learning tech to write tailored copy that matches a brand’s personality. He also teases “the possibility of the AI enabling infinitely customizable marketing copy — meaning a website could parse a visitor’s data footprint and generate dynamic product descriptions intended to appeal to that particular individual.” Should Wong realize his goals with Hypotenuse, the small business subscriber will have an incredible marketing advantage.  

Bottom Line 

AI copywriting is not a perfect solution. Still, it is a time-saving option for small and micro-business owners operating with a limited marketing budget. While the current output of these programs will still need human scrutiny, targeted copy templates can allow business owners to manage their own advertising. Future copywriting AI technology promises even more freedom for small and micro-business marketers.  

If there are writing purists who still frown on AI copywriting, it’s important to note that tech-assisted writing is not the future of the discipline; it’s the present. Writesonic AI outlined this article, Grammarly proofread it, and Hemingway edited it for clarity. 

Building an Online Literary Journal from Start to Finish

Building a successful literary journal or magazine from scratch is possible with the right tools and blueprints. From the birth of an idea to the finished product, the process will require concentrated effort and heartfelt dedication. There will be a learning curve, but aspiring editors can craft a journal for both digital and traditional print by adhering to the following steps.

Begin with the End in Mind

To be successful in any venture, author and speaker Stephen Covey hit the nail on the head with his famous piece of advice, “begin with the end in mind.”

Begin with the End in Mind means to begin each day, task, or project with a clear vision of your desired direction and destination, and then continue by flexing your proactive muscles to make things happen.


For creating a publication, it is crucial to have a vision for what you want the finished journal to be. Begin with the end in mind. Do you want the journal to be for traditional print, online-only, or both? What genres of writing do you want to represent? What is your purpose for creating one, to begin with? What name best represents your publication’s style?

Aside from all of this, one of the questions you must answer is, “how much work am I willing to apply to do?” Whether you have a team or not will also directly influence this answer. Once you decide on your investment, you will be able to assess how often the journal can be released: annually, bi-annually, monthly, etc.

Monetization is another possibility to consider. Many literary magazines (particularly digitized versions) can make a profit but require methods such as subscription services, submission fees, website advertising, and more to do so. However, these details can be readdressed later if you want to test the waters and measure your success before committing to sponsors.

Defining Your Digital Presence

Having an online presence will be critical to your success, regardless of whether you are printing or strictly virtual. Carefully decide which platform to use. Vocal.media gives several platform suggestions such as Weebly, Wix, WordPress, Bluehost, and Squarespace. These sites provide pricing and package options that cater to all financial and coding abilities. Most platforms offer simple drag and drop design schemes for free or low cost and are relatively easy to learn.

Other aspects to consider are advertising and networking platforms. Your virtual exposure will be critical for advertising purposes, requesting submissions, and maintaining interest. According to Statista, the most used social media platforms in 2021 are Facebook, YouTube, Instagram, TikTok, and several more. While primarily known as entertainment-based mediums, countless professional entities are now using their advertising and networking services. Where the most people gather is where you should establish a digital presence.

To go a bit deeper into this advertising realm, do not discount services such as Google Ads to help you spread the word. Some marketing methods may require a small charge but often are worth every penny. Google Analytics is another good online tool to use for tracking your site’s metrics.

TAKEAWAY TIP
There must be a reliable way for readers to subscribe to your journal.
A “Subscribe Now” button on the site will allow for sign-ups via email.
* Remember to include all social media handles *

STEP BY STEP

Now that you can picture your final result and have established your online presence, it is time for the blueprints. Whether for traditional or digital publications, stick to the plan, and you will avoid common mistakes.

#1- Team Effort Vs. Flying Solo
If you are lucky enough to have a team, now is when you need to get to know them. Plan around their skills and passions before assigning roles. People work harder in areas they are interested in. Assign clear tasks and solid deadlines. Spread the workload so that everyone is doing something, but no one is doing everything. If your team happens to be large enough, divide the group into sections with a group leader who reports directly to you. Keep lines of communication open and have checkpoints to keep a handle on progress. If you do not have a team and are flying solo in this venture, apply the same steps and principles to yourself as you would to others. If you handle yourself the way you would handle a team, staying on target with your publication goals will be much easier.  

#2- Deadlines
Once again, begin with the end in mind. Decide when you want your first journal to “hit the shelves” and work backward timewise from there. Remember that you will need time for contributors to send in submissions, editors to comb through those subs, and the design team to create a layout. Typical deadlines should include:

  • Close of Submissions
  • Content Editing Deadline
  • Design/Formatting Deadline
  • “Go Live” Date or Send to Printer Deadline

#3- Show Me the Money!
For traditional print, costs keep rising. Depending on print goals, you will need as much in the budget as possible. This amount will differ depending on whether you wish to pay your team, make it a profit-based publication, or offer it pro bono. Advertising, in-person fundraising, hosting ads, and any extra funds will always be helpful. For online publishing, the cost to “print” may be less or even nonexistent but those funds can go towards paying a team or yourself. The same focus applies either way.

TAKEAWAY TIP
If offering free copies, start fundraising ASAP! There will always be unforeseen costs when it comes to budgeting.
* Check early on detailed price lists *

#4- Submission Guidelines
Get the word out quickly once you are open for submissions. Clearly define your journal’s focus, the genres accepted, what will/will not be considered, and then hold to your own rules. Several submission services and websites will allow entries to be sent via email or into a collective location. One of which is the well-known Microsoft OneDrive. The submitted material can also be organized and shared with other team members, making step #5 a smoother process.

#5- Start Editing
Now is when the real work begins. You will need to find a system of sharing notes that work best for you and your team. Google Docs is a simple (and free) place to start, as it allows document sharing where everyone can see added notations.

Editing Process:

  • Formatting/Style: The layout of each submission should be consistent. Even if you have variations in style, you still want the journal to flow. Pieces could have bold titles, italicized author names, a page numbering system, etc.
  • Grammar: Address grammatical and structural errors within the subs while leaving room for artistic licensing.
  • Appropriateness: Is your journal “clean” content or language-wise? If so, then check that the submissions reflect those standards. Leniency will call those standards into question and will be harder to maintain later.
  • Paring Down: You may have to say “no” to some talented writers and illustrators. If so, be kind and encouraging. Never leave any contributor in the lurch as to whether their submission was accepted or not. Reach out to them directly if possible, and encourage them to try another time or even try a different publication if they were not the right “fit” for your journal.
  • Communication with Authors: Reach out to the authors with any necessary edits. A comma here or there can be corrected, but if there are fundamental changes required, reach out to them with the suggestions. They are the writers; if they do not want to change anything, then take it as-is and print it. If the piece cannot flow with the feel you want to convey, then a positively spun denial of publication may be required.

TAKEAWAY TIP
Congratulate the accepted authors and double-check how they want their names displayed.
* Get the spelling right *

#6- Building the Journal
What vibe will your cover convey? Your first image needs to represent the heartbeat of your journal. Is the theme more modern, fantasy, vintage, or pop-culture? Decide the feel you want readers to have when they pick up or click on your publication. One of the many programs that offer both free and paid versions is Canva. This site provides the ability to create custom pieces that can save in multiple formats. You can upload images or design them from the hundreds of elements offered.   

For formatting written content, there are just as many programs available as there are for graphic design. Reedsy is one such tool that allows you to transfer submissions from software like Microsoft Word, design and edit, and then save in various formats, including the widely accepted PDF. Pages can then be numbered, and a Table of Contents created. Include the following sections to ensure proper credit is given and the design remains professional.

  • Copyright Information with documented ISSN number
  • Title Page
  • Table of Contents
  • Special Thanks to Sponsors and Contributors
  • List of Staff/Team Members

TAKEAWAY TIP
If printing, check and see which formats the printer will accept.
Most accept several different formats – the most common being PDF.
* CONFIRM EVERYTHING WITH EVERYONE *

#7- Go to Press!
Time to Publish! Send the formatted publication to your printer or click that “publish” button. Ensure that the formatting stays correct when shifting between your design software and your website. If applicable, check if the structure used is also compatible with a mobile version. Most people access the internet via their smartphones, and how your journal looks on a small screen will make or break the readability.

FINAL TAKEAWAY TIP
COMMUNICATE!
Maintain communication with sponsors, writers, and your team. Ensure everyone’s software is compatible with the jobs required and if using the same programs, talk and make sure margins and page sizes are the same across the board! Otherwise, this will throw off your progress and add unnecessary stress
.
Let your team know how much you appreciate their hard work, pat yourself on the back, and then…
* Get ready for the next edition!
*

Where Can You Read Webcomics?

What are webcomics? Webcomics are comics published on the internet and/or mobile apps. That way more people can enjoy them from anywhere. There are different websites for webcomics that artists can use to digitally publish their work whether they use a publishing company or self-publish their work on these websites. Now that the internet is easy to access from all over the world with the use of smartphones, tablets, and computers. So webcomics websites are on a rise as well with the new influx of readers. There are different websites for comics artists to upload their comics to their readers. The well-known websites would be Tumblr and Line Webtoons. These sites are helpful to anyone looking to discover new comics to read.  

Tumblr has been a creative outlet for artists who want to share their work and gain a following to help promote their page. Tumblr would be a website for beginner comics artists to share their style of drawing to slowly get viewers interested in the story of the comic or for advanced artists who would just share their works with their viewers. The artist can share a short scene or full page of the comic. This way the artists do not have to meet a deadline to turn in their work to a publisher and they could take their time to get make their comics right for their viewers. The viewers do not have to follow the artists. They just follow the tag or keywords for a comic genre.  

Line Webtoon is one of the most popular apps and websites for comics artists to share their work. The viewer can follow the comics series to keep up to date with the latest installment.

Digital vs. Print Business Newsletters: Is One Better Than the Other?

     A newsletter is an important element of communication for any company. Newsletters can be used to inform employees of company policy or policy changes that may affect them as employees of the company. Newsletters can also be a vital part of a business’ communication with its customer base. Business owners can use newsletters to inform customers of new product availability or special sales and promotions. Whether directed toward employees or customers, newsletters streamline communication making it easier for business owners to keep important information about their company flowing to those who need to know it.

     Traditionally, newsletters have been printed letters or magazines mailed out on a regular schedule, generally monthly or quarterly. However, with the rise in popularity of electronic communication, more and more companies are opting to either supplement their print newsletters with digital alternatives, usually in the form of email, or replace print newsletters all together. But, is replacing print publications always the best decision? The answer is it that is really depends on a company’s needs and its goals for the newsletter. In considering the question of whether a digital publication would a better fit for their business, there are several points for a business owner to consider.

     First, and possibly most important, is cost. Certainly, in the long run, an email newsletter is going to cost less to produce as well as send out. In a blog post written for Tingalls Graphic Design, author Steve Namio writes that electronic newsletters are less expensive to produce and distribute than their printed counterparts. He explains that this is due to the lack of higher printing and mailing costs that are associated with print publications. Lower cost could be especially beneficial for new or smaller companies with limited budgets

     The reduced cost ties well into another important advantage of digital publications – ease and convenience. The reduced financial cost means that digital newsletters can be produced more often than their printed counterparts. Even daily if needed. PS Print explains one advantage this provides is the ease with which smaller groups can be targeted with information specific to each group. For example, while a newsletter detailing changes to the company dress code might need to go to the entire employee base, a newsletter about changes to payroll deadlines only needs to go to employees who deal with payroll. Company-wide information such as dress code changes could probably be handled in a monthly publication whereas department specific information affecting the day to day running of the company will likely be needed more often. Thus, departmental communication could possibly be better handled by email.

     Given these two fairly big advantages, it could be easy to make the jump to the assumption that email newsletters would always be the best choice. And, indeed, in some cases they may very well be the best choice. But, when deciding which to implement for their company, there are a few additional things for a business owner to consider. One thing to keep in mind is that electronic communication can be much easier to ignore than print. PS Print goes on to explain that for all the ease and convenience of  producing and distributing electronic newsletters, there is one big disadvantage. Email is easy to delete and block. Because of this, electronic newsletters may only generate a response rate of about one-half percent compared to a rate of three to five percent for print newsletters. This means that email newsletters might be less than ideal for disseminating important information that a business owner needs employees or customers to read and understand.

     Another disadvantage of electronic communications is the amount of information that can be effectively included. Though they offer up advantages to both, UK based Parker Design Consultants Ltd. mentions this as a potential reason to favor print over digital newsletters. They point out that print publications allow the inclusion of more content and more in-depth detail than can be included in an email. This could be especially advantageous for a customer focused newsletter. With customer focused newsletters, more stories mean more opportunities to use each newsletter to connect with readers in meaningful and productive ways. More detail means the content is going to be more useful and practical. When offered in print, a single publication could serve as a catalog of product and services, advertisement for upcoming seasonal promotions, and a “how to” educational guide for customers on how to best use a new or unusual product offering.

     Parker Design Consultants, Ltd. goes on to list a few other possible print advantages as well. These include fewer distractions to allow the reader better focus and the potential for a printed page to be a refreshing break from the bombardment of screens facing readers today. These could work together with the previously mentioned benefits to make a print newsletter more beneficial in some circumstances.

     Email newsletters without a doubt offer some definite advantages over print publications. These are primarily cost and convenience. Lower cost can be useful for startups with limited budgets. Email can also be more practical when regular communication is needed throughout a larger company with specific information targeting different departments or smaller groups of employees. However, as we have seen, there are circumstance where print newsletters could offer some advantages. One such circumstance could be customer focused newsletters where the purpose is to create meaningful connections with the company’s customer base and increase opportunities for sales of products and services. So, it seems that regarding the question of whether email newsletters have an advantage over print newsletters, the answer is yes and no. Yes, in that there are times when email is clearly the better choice. However, no in that there will always be circumstances where print holds and advantage. Possibly, the best route would be for businesses to employ both, whenever it’s practical to do so, in order to enjoy all the advantages that accompany both electronic and print communication.  

Future Libraries: Environmental Benefits of Moving eBooks into Libraries

Walking into a library, one can smell the familiar and often euphoric smell of printed ink and dust permeating from books on shelves waiting to be picked up and read. However, what if you walk into your local library one day and did not smell dusty books? Reeling your head around the room, you instead see less shelving where books use to stand and more eReader stations for library patrons to pick up and browse digital libraries filled with thousands of eBooks to check out.

As a book lover, it is hard to let go of familiar library memories, but there are many environmental benefits to having eBooks in libraries than continuously buying more printed books.

Printed books have had their place on the shelves of libraries for many years. However, with the rise of technology, the popularity of eReaders, and the increased number of published eBooks, it is time that society, especially librarians, take a closer look at where libraries are heading. Future libraries could potentially have eReader stations, eBooks, and phase out most of the current and new print books from their shelves to reduce the surge of pollution that print books have created throughout the years.

Damage to the Environment Caused by Print Books

When creating a print book, there is carbon dioxide (CO2) emitted from the creation of each book that is made. According to Michael Carpenter of The Eco Guide, he writes: “…printing a single book has a carbon footprint of about 7.5kg CO2.” When one talks about CO2, one must also consider the number of trees cut down in a year to be made into books.

University of Michigan’s Planet Blue Campus explains that “Upwards of 15 billion trees are cut down each year in the world, and much of the paper created from these trees are going towards books and textbooks.” University of Michigan’s Planet Blue Campus further remarks that the number of trees cut down in a year alone for textbooks is: “…30 million.” The math of how many textbooks roughly are made from one tree is an astounding 12.

CO2 is being produced, trees are cut down, and those trees that are cut down are not there to filter the emissions being produced by manufacturers of print books. This is causing too much damage to the environment to produce print books.

It may seem like a library is curtailing pollution by housing and reusing books to help the environment and create less waste, but one must also consider the physical space that a book within a library takes up when it on the shelves.

There are many public and academic libraries in the United States, the largest being the Library of Congress. According to the Library of Congress, in 2019, the library had over 24 million cataloged books.  With millions of more books being on the shelves at other libraries, the numbers add up quickly into the billions of just how much space is needed to house all these books.

Environmental Advantages of Using eReaders

EReaders help store a plethora of book titles to take with you on the go, but the person using the eReader does not have to strain to carry thousands of books since it is housed digitally as files in the eReader.

Environmentally there is not a piece of paper from a cut-down tree in sight. Since the creation of OverDrive, readers have downloaded over one billion digital books and saved an estimated 15.8 million trees, and: “That’s enough trees to fill Central Park 610 times,” according to their 2019 article.

EReaders are not completely pollution-free, but their negatives are nothing in comparison to print book production. Michael Kozlowski of Good eReader mentions in his article that Emma Ritch did a study about the pollution of eReaders in comparison to print book that she said, “There is roughly 168 kg of CO2 produced throughout the Kindle’s lifecycle and 1,074 kg of CO2 if you purchase three books a month for four years; and up to 26,098 kg of CO2 when used to the fullest capacity of the Kindle DX. Less-frequent readers attracted by decreasing prices still can break even at 22.5 books over the life of the device.”

Those wishing to help the environment can do so even in a small way by purchasing roughly 23 eBooks during the duration of having an eReader instead of purchasing a print book.

Environmental Differences of Delivery for Print Books vs. eBooks

The environmental differences of delivery for print books and eBooks are drastically different.

For a print book, one must purchase the book either online or in-store, then the items are placed into a plastic or cardboard package before transiting to the store or your home. Next, the book or books have to take a journey from its manufacturer by transportation such as plane and truck (both emit fossil fuels) to arrive at the store or your home.

EBooks can be accessed at any time, anywhere, and delivered to an eReader within minutes, if not seconds. EBooks do not have to be placed in a package that is later going to be discarded into a landfill.

EReaders help the library because they can receive a requested book faster than waiting on the postal system. Libraries also do not have to worry about replacing an eBook since an eReader does not have pages that tear or yellow over time.

More than Print and eBooks

This past year, the coronavirus (COVID-19) has caused numerous libraries to close down, making the checking out of print books out next to impossible in some United States areas. The demand for eBook rentals through libraries had increased tremendously, according to OverDrive, by 51% in May 2020.

With the knowledge of eBooks being more environmentally friendlier than printed books and eBook use having an increase in 2020, it is a common lingering question on minds whether library structures would close entirely in favor of a library created on a digital platform.

Besides being a physical structure for housing books old and new, the library has been a pinnacle symbol for community members. Citizens of the community do more than just come to return or check out books. Citizens ask librarians questions about books, how to use a form of information technology, how to reference articles or books, they come to read, study, use technology, meet up with others to perform their weekly hobbies of chess or crafts, or come to learn about a class sometimes being taught be the librarians or volunteers.

 When walking into a library, there are all walks of life, from toddlers excitedly rushing to story-time or elderly comfortably sitting reading the newspaper. Everyone in the community comes to the library, whether there are print books or eBooks, they so, because of their shared love of reading and education.

Although libraries will never fully fade away tangibly, future libraries can be built smaller, greener, and house thousands of eBooks on the digital shelves of eReaders so that libraries can have less of an environmental impact on nature for future generations of readers to enjoy.

Free Education, Anyone? Yes, Please!

If the thought of mandatory advanced mathematics or science courses in your degree plan have you terrified, you can take a prep course for free.  Yes, FREE.  Some of our nation’s top universities offer no- (or low-, as in $25.00) cost courses as preparation for more difficult classes, additional help with current classes, or a deeper dive into a particular subject.

Some of the websites are affiliated with the brick-and-mortar schools and universities, whether as a part of the school’s home site, or as a link. Others are hosted by foundations established to make education attainable for all.  For upcoming freshmen, taking the introductory classes before taking CLEP tests can save money one would have spent on freshman class tuition. There is the potential of CLEPing out of many freshman courses in this manner, depending on the CLEPs taken and school requirements. It can definitely save at least some money.

If you have finished your degree and are working in the business arena, there are many free online classes that can enhance skills needed in the business world.  Need more computer knowledge?  It’s there.  Management skills? They are there as well.  Some of the courses can provide a certificate for a small fee if that is needed.

For the simply curious, who want to know more about a particular subject, there are classes that delve deeply into singular subjects.  If home-schooling programs for children are lacking, or if a preparatory class would be beneficial for them, many universities and foundations have created (expressly because of COVID-19 situations) specially designed enhancement classes and seminar programs for school-age children, their parents, and teachers.  Again, many of these are free or charge a nominal fee for membership or access.

Here is a closer look at some of the schools’ free courses:

AMSER

AMSER, the Applied Math and Science Education Repository, offers many free courses to boost knowledge in the everchanging world of STEM. It is a portal built specifically for those in Community and Technical Colleges, but are free for anyone to use. It is funded by the National Science Foundation as part of the National Science Digital Library.

 Need a refresher before taking that physics class?  Choose from one of AMSER’s whopping 4,431 offerings in the physics category.  Some classes are video series from the likes of the BBC, lectures from Tulane professors, and lectures and presented papers from the likes of U of Maryland and Stanford. Even those individuals who want more information on a particular subject will find this website a virtual treasure chest.  Home-school parents and teachers will find it invaluable. For more information, go to www.amser.org .

Brigham Young University

            This well-regarded Utah university offers both free academic courses as well as self-enrichment classes.  Under its heading of free courses, one will find 31 currently available free classes from World History, to the Old Testament, to Introduction to Print Publishing. In their words, “So, whether you’re looking to better understand personal finance, learn how to build your family tree, or just try out our site before enrolling, our free courses are a valuable resource.”  Visit them at: www.is.byu.edu/catalog/free-courses.

Open Learning Initiative

                OLI, whose mission is to “transform higher education through the science of learning,” has a variety of subject classes to enhance college courses or for self-enrichment purposes. The course catalog includes offers classes in the arts and humanities, business, computer science and programming, data science and causal reasoning, language and speech, life sciences, physical sciences, and math and technology.  OLI is affiliated with the renowned Carnegie Mellon University. While there are no free courses at OLI, most have small fees, starting at $25.00. Find them at: www.oli.cmu.edu/courses.

EDX

            Harvard University has partnered with MIT for this amazing site for free learning, which is a platform and provider of MOOCs (Massive Open Online Course).  EDX has collected courses and programs from partner universities including Harvard and MIT, of course, but also Berkeley, U of California, and the U of Texas system to provide higher education to students globally. According to EDX, it is a “cutting-edge platform filled with the latest college courses.” A sample free course: Excel for Everyone: Core Foundations, offered by the University of British Columbia. If a Verified Certificate is needed, for an employer as proof of completion, the fee is $149.00.  Find the perfect course at: www.edx.org .

TED-Ed

And, finally, for those who can’t get enough TED talks, TED’s established an award-winning education extension “to share and spread ideas from teachers and students.” This global network boasts more than 250,000 teachers to help students learn a myriad of subjects, including a platform for those teachers to create interactive lessons. Here’s a sample of their free classes and videos: Underwater Farms vs. Climate Change, Think Like a Coder, Superhero Science, and oodles more at : www.ed.ted.com .

Understanding Digital Analytics and Its Value in Digital Publishing

“Digital analytics” is one of those shadowy web terms that sounds intimidating. The truth is much more comfortable to the trained writer, who is taught from her first composition class to know and write to her audience.

What Digital Analytics Means

Analytics is simply the process of examining data and using that analysis to make future decisions. Digital Management Encyclopedia Ryte Wiki notes that digital analytics is a marketing practice used to determine whether audience targeting measures are performing as expected and how to change messaging to target specific groups in the future. For writers, this means that the audience can often be predicted in particular detail before the first outline is drafted.

The most challenging part of understanding digital analytics is breaking through the marketing industry-specific jargon. Nabeena Mali created an excellent guide for newcomers, explaining key acronyms like CTR (click-thru rate) and CRO (conversion rate optimization). Understanding these terms helps writers find out exactly why and where their content may be failing to execute the desired goal–whether that be sales, audience building, or inspiring action. When that information is available, writers are able to target their future writing in order to reach a better ROI (return on investment).

How to Use Analytics in Digital Publishing

An understanding of analytics is helpful to writers in any digital publishing sphere. In an interview with community manager Molly Buccini, advertising content writer John King notes that developing an understanding of analytics led him to understand “what turns an excellent blog post into a solid marketing tool.” Likewise, technical writer Robert Desprez notes that analytics is essential to technical writers so that they can find out whether their content is informing the consumer and meeting his needs. In both of these situations, the writers describe a dynamic relationship between the writer and consumer. The writer’s content is shaped by what inspires the consumer to seek them out and respond to their content.

In a sense, every writer is a copywriter in the digital age. Writers must understand digital analytics because these metrics determine any product’s success or failure on the internet. The more training in analytics that a writer has, the more prepared she will be to succeed in the competitive digital publishing sphere.

How to Get Analytics Training

The most popular analytics program on the web is Google Analytics. Google offers a comprehensive Academy for training customers to use their Analytics program, ranging from the navigation of the dashboard to maximization of program benefits. Adding Google Analytics to a website is as simple as copying and pasting some code.

Even if the analytics program a writer uses is not Google Analytics, their Academy is the most comprehensive background training available and should translate well. After completing Google Academy, a writer may choose to pursue further site-specific certifications such as Facebook Blueprint and Twitter Flight School. Each of these social platforms uses unique algorithms. Writing platform-specific content with an understanding of what those algorithms value will help a writer’s digital publishing career to flourish.

E-books: A Psychological Effect in all Aspects of Our Life

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Willie Olsen
Nov 10, 2019
Nov 10 at 10:51pm

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E-books: A Psychological Effect in all Aspects of Our Life
E-books have become an essential yet damaging part of our lives. Not
only do they provide countless hours of recreation and entertainment
for people of all ages, but they have also become impactful in our
professional lives as well.

Employment- It is a realistic assumption that most professional fields in
existence have been affected by e-readers. White collar jobs like
doctors keep notes in surgery about the patient and the procedure for
quick access. Lawyers have access to an unlimited amount of past cases
to quote during trial. Bankers and loan officers have instant access to
resources like Kelly Blue Book
(Links to an external site.)
and mortgage rates. Blue Collar job’s
such as HVAC
(Links to an external site.)
(Heating and Air Conditioning) technicians use e-
readers to keep a track of jobs and materials, as well as invoicing.
Landscapers have access to resources like SLP (setting of landscape
plants), which is a state required course for a license. Repair
technicians make utilize e-book type touch screens to navigate very
complex commands, for instance, technicians who repair highly
specialized medical equipment. Even mechanics require the use of e-
readers because companies such as SnapOn
(Links to an external site.)
use a form of e-reader as
their diagnostic computer to ascertain vehicle codes needed for
repairs.

Many companies have made the switch to a digital version of company
manuals and policy handbooks. They now also offer training through e-
books, making it easier than ever for employees to work on
professional development. In today’s world, employees simply don’t
have the time for training and studying of materials. In an article by
Thomas Madsen
(Links to an external site.)
, a study was sited that showed “employees can only
spare about 1% of their weekly time – on professional development.
That amounts to about 24 minutes a week”. Training through e-books
gives the employees flexibility to allow for training whenever they can.

Education- E-books simplify and enhance the overall learning
experience and has had a positive impact on the quality of education.
E-books make the learning process more interactive and engaging.
Digital learning content is some of the most exciting and potentially
impactful content to date. By utilizing the multi-faceted abilities of the
internet, the student working to earn a degree has more technology at
their disposal than ever before. From researching paper topics to
taking notes in class, e-books can successfully perform a plethora of
tasks which formerly required the student to spend unlimited hours at
the university library and manually taking notes. One of the most
engaging features for students is that e-books give the ease of
highlighting, annotating, and sharing notes with friends, tutors or study
groups.

Although e-books seem to have greatly enhanced our lives by making
our education and jobs easier, they have proven to be equally as
damaging.

Digital Dementia – ‘Dementia’ is a term sadly all too familiar these days,
as instances soar of Alzheimer’s disease and other comparable
conditions all characterized by confusion, disorientation, and impaired
memory—literally a ‘loss of mind.’ However, the notion that an
analogous state might be linked to the screen lifestyle is as
controversial as it is potentially troubling.
“Digital Dementia” is a term coined by neuroscientist Manfred Spitzer
to describe an overuse of digital technology resulting in the breakdown
of cognitive abilities.1 Spitzer proposes that short-term memory
pathways will start to deteriorate from underuse if we overuse
technology. Although, in this blog, we have recently explored
outsourcing your memory to smartphones, these two concepts are
different—the mental disarray within the brain implied by the term
‘dementia’ is far more basic and complete. An under-practiced memory
process is far from being comparable to the wider cognitive
devastation that is dementia. (Susan Greenfield)
Loss of social skills – Children’s social skills may be declining as they have
less time for face-to-face interaction due to their increased use of digital
media, according to a UCLA psychology study. UCLA scientists found
that sixth graders who went five days without even glancing at a
smartphone, television or other digital screen did substantially better
at reading human emotions than sixth-graders from the same school
who continued to spend hours each day looking at their electronic
devices.

“Many people are looking at the benefits of digital media in education,
and not many are looking at the costs,” said Patricia Greenfield, a
distinguished professor of psychology in the UCLA College and senior
author of the study. “Decreased sensitivity to emotional cues — losing
the ability to understand the emotions of other people — is one of the
costs. The displacement of in-person social interaction by screen
interaction seems to be reducing social skills.” (Stewart Wolpert)

Social Isolation- What are the repercussions of social isolation in
teens? Research has shown that verbal conversations and face-to-face
communications decrease stress, anxiety, depression, and other mental
health issues. Connecting with others through social media is not as
rewarding. Kids that feel socially isolated already may be more drawn
to social media, while also being more emotionally vulnerable to the
risks. An unbalanced portion of time online may contribute to:

Higher mortality rates. Researchers at the University of Pittsburgh
report that kids that feel socially isolated have a higher rate of
mortality.

Distractions. The frequent interruptions from pings and notifications
keeps teens engaged (or addicted) on social media sites, and distracts
teenagers (and adults) from being fully engaged in the present
moment.

Social comparison. Research suggests that using Facebook frequently
can increase the likelihood of unrealistic social comparisons and
depression.

Lack of sleep, anxiety, depression, self-esteem. The University of
Glasgow researched the potential influence of nighttime use of
technology on teenage sleep, anxiety, depression, and self-esteem. The
study concluded that the nighttime use of social networking increased
the incidences of depression and anxiety.

Failing grades. Sleep disruption contributes to failing grades.

The list continues to grow as science and research reveals more and
more effects of the use of e-books on our psychological states. All of
these negative effects that have been revealed thus far beg the
question – How do we cope with the damaging effects of e-books,
whilst benefitting from the technological advantages?

Content Wars: Rise of the Podcast

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People prefer to receive their daily news in different ways. From radio to television, print to Facebook, news stories fill almost every platform. More and more traditional sources are turning to podcasts, the most recent trend in digital news publishing.

Podcasts: New or Old?

Though David Winer developed the medium, and Adam Curry popularized it, Ben Hammersley coined the actual term “podcast” in 2004. In an article for The GuardianHammersley “rattled off possible names for this booming new medium, the ‘pod‘ of podcast is borrowed from Apple’s ‘iPod‘ digital media player; and the ‘cast‘ portion of podcast is taken from Radio’s ‘broadcast‘ term.” The name and the concept took off.

According to International Podcast Day, a site dedicated to the celebration of podcasts,

“A ‘podcast’ is sort of difficult to explain because there really isn’t anything else like it — but rather, many things that are kind of like it. A good starting point, is to think of a podcast as ‘Internet Radio On-Demand.’ It’s similar in that you can usually listen to it on your computer — but it’s more than that. [However, and not to confuse the issue, podcasting isn’t confined to just audio but can be video as well].”

While podcasting shares many similarities with traditional radio broadcasting, two media’s differences allow podcasts to pave their own way in the digital media world. Contrary to conventional radio, podcasts offer on-demand content that users can access any place, any time. They also have the advantage of being “narrowcast” based on individual, specified content for an identifiable audience.

The New York Times and Podcasting

The New York Times, a newspaper founded in 1851, is known worldwide for its readership and prestige. With over 150 years in the field of journalism, the Times attributes its continued success to its ability to meet readers in their everyday lives. I cover more of the changes it has undergone in “Changing with the Times.”

With the emergence of podcasts, writers at the Times saw a chance to reach readers in a new and more individualized way. According to Ken Doctor, when the Times released its first podcast in 2006, “only 11 percent of U.S. adults listened to any podcast and only 22 percent had even heard the term.”

The New York Times uses the advantage of the medium’s niche nature to its advantage, and its shows branch into topics that may not have made it to print before. With series varying from book reviews to pop culture, even love and sex, the Times has truly embraced the culture of podcasts.

The Daily,” one of the most popular series in the Times’ repertoire, touts the motto “this is how the news should sound. Twenty minutes a day, five days a week.” Hosted by political journalist Michael Barbaro, “The Daily” began in early 2017 and became a hit within a few short months.

“The Daily” had reached over 100 million downloads by October of the same year. Sam Dolnick, Barbaro’s assistant, says, “we’ve built a flexible enough frame that I think lots and lots of different things can fit inside of it.”

The New Yorker, a fellow New York-based news company, sent its praises to “The Daily” in an article dedicated to the success of the podcast series. New Yorker journalist Rebecca Mead writes that, through “The Daily,” The New York Times “becomes conversational and intimate, instead of inky and cumbersome. It’s a twenty-minute update murmured in your ear by a well-informed, sensitive, funny, modest friend.”

As of 2018, “The Daily” continued to receive over 1.1 million downloads each weekday. Advertisements pay for the episodes, so listeners get access to the show for free, with new podcasts released every weekday.

The New York Times has another major podcast success under its belt: “Caliphate” the company’s series “following Rukmini Callimachi as she reports on the Islamic State and the fall of Mosul.” Its first narrative nonfiction podcast, “Caliphate” takes a look at the War on Terror and asks, “who are we really fighting?” Listeners can find the podcast, along with its transcripts, on the Times’ site.

The Podcast Craze

The Times isn’t the only one impressed with podcasts: Hannah King describes the attraction of podcasting in the Trojan Digital Review. Versatility defines the beauty of podcasts; anyone can make one anywhere. In her article “Have We Hit Peak Podcast?” New York Times journalist Jennifer Miller addresses the idea easy entrance to the medium might be what leads to its ultimate downfall.

“Like the blogs of yore, podcasts — with their combination of sleek high tech and cozy, retro low — are today’s de rigueur medium, seemingly adopted by every entrepreneur, freelancer, self-proclaimed marketing guru and even corporation,” Miller writes. She quotes host Jordan Harbinger of “The Jordan Harbinger Show” saying, “I love podcasting, and the more shows in the mix the better, as long as they’re done by someone who actually cares and isn’t just trying to get a piece of pie.”

Harbinger goes on to say that the world of podcasting needs “a real conversation that will benefit the audience, not the host.” Through this logic, the Times’ position in podcasting culture will not fizzle out anytime soon. The New York Times has a great tradition of journalistic excellence, and through branching out into the realm of podcasting, it once again secured its spot among the most read, and now listened to, news companies in the world.

Traversing the E-book Subscription Frontier

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In a world of subscription services like Netflix, Hulu, Spotify, and Apple Music, e-book distributors are attempting to explore this new frontier by offering subscription services for e-books, audiobooks, magazines, and more. 

Why Subscribe to Books? 

With the prevalence of streaming services, it makes a lot of sense that electronic book distributors would attempt to get in on the on-demand game in order to better ensure the security of their books. After all, e-book piracy is just as common as movie or music piracy. It isn’t hard to find a digital copy of a book and just put it up on a file-sharing website – or worse, someone may go to the effort to photocopy a physical copy of a book and upload that file.  Even Google cannot escape issues of Fair Use and copyright when it comes to digitally distributing books. 

As a way of stopping piracy, groups looking to distribute books are now offering a subscription to the very books people are stealing. This way, those who would pirate the books out of convenience have ease and accessibility to books that they want, and distributors have a legal subscription model that covers their backs in the copyright issues. 

Top E-book Subscription Contenders 

For readers unsure of what subscription service to use, Make Use Of  mentions six services that are going strong, and Book Riot has a list of 17 options available in 2019. Between these and other articles, two names rise to the top.

Scribd, an organization started in 2009, launched their subscription in 2013 and have had a fair amount of success at their price of $8.99/month. They offer over 500,000 books, as well as plenty of audiobooks, articles, documents, and magazines, at a rate that is lower than much of the competition. They were the quasi-pioneers in this world of e-book subscription services. 

The other popular option is Kindle Unlimited (KU). Amazon’s own service is priced at $9.99/month or $59.99/six-months with frequent “50% off for six months” deals. Like Scribd, Kindle Unlimited also offers audiobooks and magazines.

With both services, you can listen to or read as much diverse content as you could realistically want or hope to consume in a reasonable amount of time. The difference, then, comes down to convenience and exclusive content. 

The price for KU is not particularly competitive unless you snag the 50% off deal, but you can, however, use your Kindle – and, considering Kindle products make up three of 2019’s top five e-readers, Kindle Unlimited already has a large install base of people committed to reading e-books. All those readers have to do is click a button and they’re in the service. It’s quick and easy, and suddenly over 1 million books are available. 

Book Riot points out that Amazon does not have an unlimited deal with every publisher that they have on the main website: thus while it has more books in general, it doesn’t stand out in its list of best sellers. You’ll still find yourself paying for some more recent and popular books. Furthermore, Amazon only offers 61 magazines. That’s enough to keep anyone busy, but a quick glance through the cheaper service, Scribd, and its selection shows significantly more magazines than that (in addition to individually searchable articles and documents). Ultimately, it’s clear that Scribd can fill more specific magazine niches. 

Niche Services 

For readers looking for something other than e-books, some more audience-specific services do exist. Marvel Unlimited allows unparalleled access to over 25,000 Marvel comics anywhere you want for only $9.99/Month, and Amazon has a service called ComiXology that has 20,000 “comics and manga from DC, Marvel, Dark Horse, and other publishers.”  ComiXology Unlimited is free to subscribers for the first 30 days, but is then $5.99/month. Unlimited offers exclusive members discounts and unlimited reading anywhere.

Epic! has unlimited access to 35,000 books, videos, and quizzes aimed at children 12 years of age and younger. Due to the increasingly expanding nature of digital publishing, readers have a lot of unique options for subscription services. 

Is an E-book Subscription Worthwhile? 

Subscription reading services are cool on the surface, but you may be wondering if it’s really worth it. Subscription services for movies or TV shows makes sense: we can pay $109.99 for all of Breaking Bad by itself. Or, we can watch the whole thing on Netflix in a few months, watch a two-hour movie every night of the month, and the occasional documentary while only paying $12.99/month.  

Not to mention, new Blu-Ray discs of movies can cost anywhere from $5.00 to $30.00 on Amazon. As such, watching two new movies on Netflix, or three to four older movies, could make the cost of the service for the month in the span of a couple days. And Hulu (with ads) is cheaper than Netflix, making it easier to make up the cost if you so desire. 

For e-book subscriptions, a reader can order the entire hardback Harry Potter series for $122.99 from Walmart, or they can read the entire series on Kindle Unlimited for $9.99 a month. 

So, what kind of reading do you need to do to make up the cost of a subscription e-book service? Apparently, $3.99 is the sweet spot for selling e-books. So, a service that costs $8.99-$9.99 means you’re going to have to read at least two, maybe three e-books to validate the cost.  

When Kindle Unlimited launched, most titles were only worth $0.99 to $4.99. Sure, it has gotten better as time goes on, but most book services will run into this same issue. You would have to read about five to ten books to make that cost back, and many of them are probably books you haven’t heard of. And books can be long — significantly longer than movies and TV shows.  

If you look at the length of audiobooks, it’s not entirely uncommon to have an audiobook listening time of more than 24 hours total for the same price as a Blu Ray disc. Some books are significantly longer, like Stephen King’s It, which has a listening time of almost 45 hours. You’re getting a lot of time out of that book, certainly, but that’s just one book. It may be better for certain readers to just buy that one book than to subscribe to a service where they will only read it once. 

You have to be an incredibly voracious reader to get an appropriate amount of value out of a subscription reading service. Basically, if you read two books a month, then it may be more cost effective to buy them outright. 

Also, the unlimited e-book subscription services are still figuring some details out regarding royalties. Written Word Media mentions some interesting things about Kindle Unlimited, for example. While it used to be that someone adding the book to their library by buying it was enough to get the author paid, now people have to physically enter and read the book for the author to see a cent of payment. Not to mention, Scribd has changed their plan from unlimited downloads, to limited, to unlimited a few times, causing distrust with its subscriber base. 

While the niche services seem like a good idea as well, their contracts don’t seem to include a free range of books – rather, they offer discounts to members for comics and figurines. This lack of contract clarity can be confusing for new subscribers.

The world of subscription e-book services is a real frontier’s frontier. It adds the debate about the viability of subscription services to the already fluid world of digital publishing. The royalty model, in addition to the low average price of books in the services, indicates that e-book subscription services may not be worth it for the average reader or the author. However, the world of subscription e-book services, like any digitally published form of entertainment, is constantly evolving, growing, failing, and triumphing anew. It’s up to individual readers like us to decide when to move out west.